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Buy Dirty Jobs: Collections 1-4 Blu-Ray

glenngolden1974 — Tue, 16 Mar 2010 22:29:08 +0000

Buy Dirty Jobs: Collections 1-4 Blu-Ray.

Product: Dirty Jobs: Collections 1-4
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I bought this as an anniversary demonstrate for my husband, and he LOVES it! He has watched every episode on these four discs multiple times and he tranquil hasn’t tired of them! It’s so gigantic not having to sit through commercials and he loves being able to isolate his approved episodes to notice over and over. Expansive gift conception!

Dirty Jobs is a fair wintry prove and Mike Rowe si broad on it I have heard him on Opie & Anthony and he seems to be the same person as you leer on the display.
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Watch Phantom from Space - In COLOR! Also Includes the Original Black-and-White Version which has been Beautifully Restored and Enhanced! Online

glenngolden1974 — Mon, 15 Mar 2010 19:16:20 +0000

Watch Phantom from Space - In COLOR! Also Includes the Original Black-and-White Version which has been Beautifully Restored and Enhanced! Online.

Movie Title: Phantom from Space - In COLOR! Also Includes the Original Black-and-White Version which has been Beautifully Restored and Enhanced!
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Phantom from Space - In COLOR! Also Includes the Original Black-and-White Version which has been Beautifully Restored and Enhanced! is available for streaming or downloading.

Click Here to Stream or Download Phantom from Space - In COLOR! Also Includes the Original Black-and-White Version which has been Beautifully Restored and Enhanced!

It’s about time somebody finally but out a decent print of “Phantom from set”. I’ve been so sick and tired of finding copies that always have blurred images in them. Case in point is when a car goes by and the headlights leave a toddle across the hide. I’ve been looking for a righteous copy of this film for quite awhile now and i have finally found it. I plan the portray quality was very proper and the sound quality excellant. Other copy’s I’ve seen left a lot to be desired. I’ve always wondered how some company”s can but out a product of unpleasant quality and dull it on the general public when it approach from and despicable source. I feel I am being ripped off. But Yarn Films has out done them selfs with this film. Suited recount and superior sound. In my book this one is worth the money. I have not watched the colorized version of the film since I have no interest in faked color film. The color always looks unatural and I rob my films in there recent Dark and White and aspect ratios.

“The Phantom From Spot” is a sci-fi cheapie from 1953. The first half is radiant plain, as most of the action involves driving around in ridiculous former cars with ludicrous antennae on their roofs looking for disturbances. This takes position in California, so there are some other wacky things going on, but impartial to get definite we understand, the bulk of the first half hour or so is narrated. As the narrator drones on over the scenes of stock footage, and the cars drive around endlessly, something finally happens! A slay by a guy in a diving suit happens, to be specific, but unfortunately for the audience, all that results for our entertainment is some really tough (not!) interrogation of the prime suspect. Ultimately a couple of people come by killed and a refinery gets region on fire.

As the movie gets over the scuttle and starts picking up steam, we explore some laughable police foot chases of the diving-suit being that go on a bit too long, but ultimately corner the guy in a lab with a stunning female scientist. To evade choose the being takes off his suit and turns out to be invisible unless exposed to ultraviolet light. They gallop him around until he needs to effect his helmet help on while he practices Morse code with the lady scientist. She figures out that he needs to breathe methane (hence his attraction to the refinery…behold how it all makes sense) but thanks to the droll relief newspaper reporter who is forever screwing everything up (at least they got that section upright) he drops and breaks his helmet. Eventually we discover him negate and burn up in what I gain may be the Griffith Park Observatory, his mission having utterly failed.

This film is a borderline two or three star movie, but I decided to go with three as it was quite well made considering that it was from 1953. I liked that the film didn’t attempt to beget the invader from set into a killing machine, and that in the raze actually made the audience feel sympathy for him. The special effects are not so special by the standards of today, but remember this was made 51 years ago, and I consider was a pleasing credible pain for the time. The acting is average, and the script is too. The biggest weaknesses were pacing and the whole silliness with the cars with ridiculous antennae. The second half is tantalizing, and the creature actually looks generous when we finally bag to seek him. If you can earn past the first half, this is better than average for mid 1950s sci-fi.
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Watch Gigi Online

glenngolden1974 — Mon, 15 Mar 2010 00:43:33 +0000

Watch Gigi Online.

Product: Gigi
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This review is of the DVD. If you haven’t seen this 1958 classic in widescreen format, you really haven’t seen it. Director Vincente Minnelli (Liza’s father) fills each frame beautifully, often composing scenes reminiscent of the impressionist painters he so loved, such as Renoir or Seurat. Letterbox-haters, this is a safe test of the superiority of seeing a movie the contrivance the director intended, not crammed into the 1:1.33 TV conceal. (The DVD includes both versions, so comparison comes cheap.)

The year is 1900. Gigi (Leslie Caron) is a pubescent young woman who becomes more and more gorgeous to millionaire Gaston Lachaille (Louis Jordan) . But Gigi’s family has a tradition of “Instead of marrying at once, it sometimes happens we acquire married at last.” Making the tradition from pre-teen to delicate young woman, awkward Gigi is “trained” in the arts of catering to men, such as choosing a cigar, walking elegantly and pouring coffee in the best French manner. The payoff for this kind of training is to enjoy a rich young gentleman’s bed–until he tires of this courtesan and moves on. While serene in favor, the lady in query lives in luxurious style: tutor Aunt Alicia (Isabel Jeans) advises her charge to “Wait for the first-class jewels, Gigi. Bear on to your ideals.”

The team of Lerner and Loewe wrote songs for this musical that include such favorites as “Thank Heaven for Miniature Girls” and “The Night They Invented Champagne.” On its initial release “Gigi” was touted as the cinematic equivalent of their demolish Broadway play “My Magnificent Lady,” as the movie trailer on this DVD makes apparent. Gigi won a slew of Oscars, beating out the presumed well-liked, Susan Heyward in “I Want to Live.”

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It is no mistake that the compilation film of MGM’s best musicals, “That’s Entertainment,” features Gigi as the last chronological example of the MGM high-quality, lavish musical. Minnelli would go on to protest many more films, including the 1960 musical “Bells Are Ringing” with Judy Holliday and Dean Martin, but “Gigi” was really MGM’s “swan song” for expensive musicals, which were getting harder and harder to mount because of television and changing musical tastes (like Elvis) .

With a lot of begging and pleading from the director and producer, the studio spent enough money in Hollywood to duplicate Maxim’s restaurant and the Ice Gallery, a common meeting-place for the 1900 elite. Minnelli’s visual wit is visible in the method he frequently uses proper Parisian backgrounds of fountains and statuary, indirectly symbolizing and commenting on the mental set of the actor in front.

The whole cast is genuine, including Hermione Gingold as Gigi’s grandmother and the incomparable Maurice Chevalier as Gaston’s uncle, Honore Lachaille. It is microscopic wonder that this film is the very favorite–or stop to it–among lovers of musicals. “Gigi” is first-class all the method. Even people who don’t often choose musicals may well bask in the film for its masterly visual style and recreation of turn-of-the (last) century Paris.

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What more can I say? Derive ahold of this film Correct NOW while the notice is so edifying. I don’t consider you’ll regret it.

For those wondering why they should capture another edition of “Gigi” on DVD, here are all the extras; however, if you acquire a Blu-ray, you might want to wait and pre-order Gigi [Blu-ray]. Other than the technical specs, the extras are the same on both versions.

Buy,Download, Or Stream Gigi! Click Here

Winner of 9 Oscars, “Gigi” was produced after the demise of the unique 3-Strip Technicolor system, and photographed in the industry-standardized Eastmancolor process, which had a tendency to proceed to reds and purples. For this fresh DVD release, Gigi has been photo-chemically restored from its recent camera negative and safety separations to perform a worthy sharper and lustrous image than has been seen in decades. It also contains a 5.1 audio mix created from the unusual multi-track source elements.

Disc 1 (Gigi ‘58) : 2.35:1 Anamorphic Widescreen * English DD5.1 Surround * French Mono * English, French and Japanese subtitles * Bluray specs: 1080P 2.40:1 Widescreen, English 5.1 Dolby TrueHD, English 5.1, French 2.0, Spanish 1.0 (Both Castilian and Latin), German 1.0, Italian 1.0 Dolby Digital, Subtitles (Main Feature) : English, French, Spanish, Danish, Dutch, Finnish, German, Italian, Japanese, Norwegian, Portuguese, Swedish, Subtitles (on Lift Bonus Material) : English, French, Spanish, German, Italian, Japanese, Portuguese

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*New Commentary with Leslie Caron & Film Historian Jeanine Basinger

*The Million Dollar Nickel [1952 MGM short]

*The Vanishing Duck [1958 MGM cartoon]

*Theatrical Trailer

Disc 2: “Thank Heaven! The Making of Gigi” The account of how 1958’s Best Represent winner (the last of the classic MGM musicals) survived a turbulent production that included censorship battles over its brave sexual recount and creative struggles between a studio in turmoil and a demanding, visionary director. Featuring an all-new interview with star Leslie Caron, and a rare interview with Oscar-winning director Minnelli

Original 1949 Nonmusical version of Gigi starring Daniele Delorme in the title role and directed by Jacqueline Audry (in French Mono with English subtitles)

For those not familiar with the space, Gaston (Louis Jordan) is the descendant of a wealthy Parisian family who rebels from the superficial lifestyle of upper class Parisian 1900s society by socializing with the passe mistress (Hermoine Gingold) of his uncle (Maurice Chevalier) and her outgoing, tomboy granddaughter, Gigi (Leslie Caron) . When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt (Isabel Jeans), who have educated Gigi to be a wealthy man’s mistress, enjoin on him to become her provider and on her to accumulate such a golden opportunity. However, good esteem adds a surprise twist to this Cinderella anecdote that was actually filmed in Paris.
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Pixar Short Films Collection: Volume 1 Movie Streaming

glenngolden1974 — Sat, 13 Mar 2010 11:23:14 +0000

Pixar Short Films Collection: Volume 1 Movie Streaming.

Movie Title: Pixar Short Films Collection: Volume 1
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Pixar Short Films Collection: Volume 1 is available for streaming or downloading.

Click Here to Stream or Download Pixar Short Films Collection: Volume 1

The exact value in this collection isn’t so great the collection itself, which sadly is too slight, or too short, and is over before you know it (which may create you sunless if you take this disc with the cross expectations) . The value is really in the history of all of these animations and of Pixar itself.

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Each individual short is involving in some diagram, though they are short films and aren’t intended to last more than a few minutes each. Many times the credits roll on seemingly longer than the shorts they accompany. But… if you see the history of computing and computer animation that is alive to here, you realize objective how powerful work went into these shorts and how truly fantastic they are given the technology available when most of these shorts were created.

Perhaps the most ‘priceless’ (to borrow from the credit card commercials) part of this collection is the included documentary: The Pixar Shorts: A Short History. It looks at the players eager, the hardware fervent, and the work that went into creating these classic works. How Pixar Animation Studios came to be, and why they were creating these shorts.

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Taken in context with the shorts themselves, you realize objective how far we’ve advanced when it comes to computer animation and though-provoking film. Technology that shows up in video games, movies, virtual reality for training purposes and more.

Pixar was on the forefront of the tech and this collection does a advantageous job of introducing viewers to all of that titanic history. Worth a elephantine mark buy? Probably not so noteworthy. On sale or discounted through an Amazon marketplace remove? certainly worth consideration.

This is classic Pixar. Attractive animation. Very comical. “Lifted” unprejudiced about had me in tears. If you like Pixar than this is a must seize. Couldn’t be more tickled.
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Buy Dark Shadows DVD Collection 3 Online.

glenngolden1974 — Sat, 13 Mar 2010 02:20:35 +0000

Buy Dark Shadows DVD Collection 3 Online..

Product: Dark Shadows DVD Collection 3
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I have Sad Shadows volume 1 & 2, went through a period of time for awhile when I was trying to tape them off the Sci-Fi Network but these dvds are the retort to a prayer - I canNOT wait for collection #3, and in all sincerity I am joyful they are spacing them apart as they are - easier to afford each one as it’s released, as I hold a LOT of dvds as it is!!

The wonderful thing about “DS” is that it is so addictive; no matter your belief on soap operas, or panic yarns, there is NOTHING like “Sad Shadows” to withhold you enthralled and always waiting for the next chapter - I know some have complained that the quality of the dvds isn’t prime, but to me the fact that each reveal looks as it did when it was on television adds to the sense of nostalgia and creepiness the point to had for me as a child - but with the everlasting dvd quality! I applaud MPI and their WISE decision to bring us the best of all soaps in dvd build! My only “negative” is, I hope that, when done, MPI will go aid and release the individual first 200 episodes, as well.

Oh, and to the person complaining that they’re only putting on two months per dwelling - Wonderful Lord, we are talking 40 episodes each, about 14 HOURS per situation!! As someone with a busy schedule and tons of dvds and tapes, that’s plenty for me between sets - and the only design to maintain the cost per area even as outrageous as it is!

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LONG LIVE BARNABAS!!

This is another spirited “Dim Shadows” collection, with the added bonus of most of the episodes being in color. There IS a definite amount of wheel spinning in these episodes, however. To illustrate:

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There are a handful of episodes where Burke Devlin gets a puny too terminate to the truth about Barnabas Collins, leading Barnabas to deliver, “Burke Devlin must die!”

Then there are a handful of episodes where the amnesiac Maggie Evans starts remembering the truth about Barnabas Collins, leading Barnabas to remark, “Maggie Evans must die!”

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Then there are a handful of episodes where cramped cousin David gets too discontinuance to the truth about Barnabas Collins, leading Barnabas to stammer, “Cousin David must die!”

Barnabas also intones the dreaded “… must die!” line about Julia Hoffman, Willie Loomis, and, if I remember, one or two others during the course of these forty episodes. So, yeah, there IS a definite amount of repetitiveness here.

In every case, of course, Barnabas is either talked out of killing the annoying supporting character in demand (”But Barnabas, if you ruin him there will be an investigation!”), or he figures out another intention to throw said character off the scent. It must be said that Barnabas’ various solutions to these dilemmas are usually resplendent enthralling, which keeps this batch of episodes firmly in the “worthwhile” camp despite the repetitiveness of the plots this time out.

The color episodes launch about five episodes into the area, and continue throughout, with an occasional black-and-white file episode rearing its head when an fresh color broadcast episode has been lost to the ages. Somewhat annoyingly, those black-and-white file copies seem to indicate up unbiased when something visually spellbinding occurs in an episode, like a surreal dream sequence or an ambitious special carry out, things that would have been big to gape in color. Oh, well.

The writers must have also noticed that a sure sameness to the plots was creeping in at this point, because in the next batch of episodes- the ones conveniently packaged together in Dismal Shadows Collection 4- some truly offbeat things initiate happening, including Barnabas actually making genuine on one of his threats to destroy one of the series regulars, and a shift to the past so we can scrutinize firsthand the origin of Barnabas’ curse.

But these “Collection 3″ episodes are certainly worth watching, too. Though I’m pleased the series eventually moved into more ambitious areas, it’s kind of fun this time out hearing Barnabas Collins repeatedly say that everybody and his sister “… must die!” Immense stuff.

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Watch Pretty in Pink Online

glenngolden1974 — Wed, 10 Mar 2010 10:31:56 +0000

Watch Pretty in Pink Online.

Movie Title: Pretty in Pink
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Pretty in Pink is available for streaming or downloading.

Click Here to Stream or Download Pretty in Pink

So here’s the long awaited “Handsome In Pink”, finally on DVD! I really don’t reflect I need to review the protest of the movie- if you are reading this you have probably seen it! I’m thrilled that Paramount has finally set this out on DVD. But… and there is a Enormous “but”….

There are no extra goodies on this DVD. The new ending (Molly Ringwald ends up with Duckie) is not here. (Check it out: Andrew McCarthy looks COMPLETELY different in the last seen. His hair is longer, his skin is whiter, and he looks about 10 years older, even though the ending was filmed only several months after the principle shooting ended!) That is a total missed opportunity that legions of Molly Ringwald/Brat Pack/John Hughes/80’s teen flick fans have been waiting to eye for years! There’s not even a theatrical trailer on this DVD! I can understand that deleted scenes, a theatrical trailer- these things can come by lost in the vaults over the years. But you simply cannot issue me that they couldn’t dig up the video for OMD’s “If You Leave” to set aside on here!

Some commentary would have been colossal as well! There are all sorts of things that the director could have discussed: OMD originally did a song for “Delicate In Pink” called “Goddess Of Savor”. When the ending of the movie changed, they recorded a unique song (”If You Leave”) … “Goddess Of Worship” ended up going on their “Pacific Age” album. More trivia: Molly’s popular group at the time, The Rave-Up’s, get in the movie. (Their song wasn’t on the soundtrack.) Molly carries a notebook in “Sixteen Candles” that has “The Rave-Up’s” handwritten across it.

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Watch out for an early performance by Gina Gershon! She barely has any lines- I assume she’s in about two scenes. You won’t miss those lips of hers. Also peer for Dweezil Zappa (as “Simon”) . Annie Potts practically steals the exhibit in this pre-”Designing Women” performance. Not to be missed!

All in all… this is a gargantuan DVD. It’s nice to ogle it letterboxed. Paramount impartial missed a astronomical opportunity by not going the extra mile by putting out something special for such a beloved 80’s movie.

I treasure this movie. I bought the first release of the DVD without a single feature on it, honest so I could behold it over and over. It was the first DVD I bought when I got my player.

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I almost fell over with joy when I saw the “Everything’s Duckie” edition at Best Remove yesterday. I could barely have my excitement. FINALLY, I would secure to recognize the ending that John Hughes intended- where Andie (Molly Ringwald) ends up with sweet, lovable Duckie (Jon Cryer) instead of smarmy, sappy richie “major appliance” Blane (Andrew McCarthy) .

THE Current ENDING IS NOT ON THIS DVD. That is a total rip-off. It says in slow English, on the list of features “Current Ending”. Instead of showing it, they talk about it and why it didn’t work.

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It sounds like the right reason they changed the ending was that Molly Ringwald had the hots for Andrew McCarthy. And if the test audience booed, then they obvious as hell didn’t prove it to a group of high school outcasts.

When the scene wasn’t in the special feature, I even went so far as to discover the slay of the movie thinking maybe they had actually place it in the feature. But no. For the one hundreth time, I had to notice Duckie create eyes at a rich girl with astronomical boobs (Kristy Swanson, pre-Buffy the Vampire Slayer), and Andie design out with Sap-face in the parking lot.

Dang.

The other features are dazzling frigid. There are a lot of interviews and stuff. But you can’t call it the “Duckie Edition” if she doesn’t destroy up with Duckie. Period.
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Buy Confessions Of A Sorority Girl ( Sorority House )

glenngolden1974 — Wed, 10 Mar 2010 07:07:59 +0000

Buy Confessions Of A Sorority Girl ( Sorority House ).

Product: Confessions Of A Sorority Girl ( Sorority House )
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Three years before she found her greatest fame playing the title role in Roger Corman’s “The Wasp Woman”, Susan Cabot played the unhinged, sociopathic Sabra Tanner in SORORITY GIRL, Corman’s unusal psychological drama from 1957.

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Filmed on the USC Campus and utilising the right sorority houses, Roger Corman injects the movie with a hard-edged realism which is completely at odds with the other low-budget quickie films that he was helming for American International Pictures (AIP) .

The exclusive girl out in her sorority, teen bitch Sabra Tanner (Susan Cabot) spends her days manipulating and torturing unpleasant pledge Ellie (Barbara Crane) –going so far as to trot her with the sorority bat! She blackmails would-be class president Rita (Barboura Morris) by threatening to affirm that her father has been in jail; and later uses–gasp–pregnant Tina (June Kenney) in an extortion view to seduce Rita’s boyfriend Mort (Dick Miller) .

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The entire movie only runs for sixty minutes, but within that brisk hour there’s a ton of blackmail, bitchery and backstabbing, indeed so distinguished that it’s guaranteed to have your shaking your head in astonishment! Susan Cabot, in my view the greatest and most talented actress of the 1960s B-movies, gives the role of unsightly Sabra everything she can muster; you’ll be amazed by her performance. A shiny talent taken from us too soon. And it’s fun seeing Cabot and Barboura Morris together here (Morris plays the dimwit secretary in “The Wasp Woman” with Cabot) .

Definitely a considerable title for serious B-movie fans.
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SCTV, Second City Television Network Volume 3 Streaming

glenngolden1974 — Fri, 05 Mar 2010 07:16:04 +0000

SCTV, Second City Television Network Volume 3 Streaming.

Movie Title: SCTV, Second City Television Network Volume 3
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SCTV, Second City Television Network Volume 3 is available for streaming or downloading.

Click Here to Stream or Download SCTV, Second City Television Network Volume 3

Another tall box from Yowl! Entertainment. Some fine skits are contained within. Specifically:

* The Pre-Teen World telethon (with Rick, Eugene, and John as the pre-teen band The Recess Monkeys doing a shroud of Chiliwack’s “My Girl”)

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* The first Schmenge Bros. sketch (including commercials for Schmenge Fade and Schmenge Records)

* “Chariots of Eggs” with Hall & Oates.

* The first Al “No Song and Dance Here” Peck Primitive Cars ad

* The People’s Global Golden Choice Awards

Buy,Download, Or Stream SCTV, Second City Television Network Volume 3! Click Here

* “The Days of the Week” soap, in six parts. (”Didn’t you have amnesia? ” “Um…maybe. I don’t remember.”)

* The Battle of the PBS stars

If you’ve read Dave Thomas’ book, watching the last 3 or 4 of these shows will remind you of how burned out he said he was, and it shows in a few pieces. (e.g. “Charlie’s Kitchen.”) ..but the addition of Martin Short to the cast gave the explain a enormous shot in the arm, and this box place contains the only three shows where Short, Moranis, Thomas, and O’Hara are all together.

Martin Short isn’t utilized as grand as he became later in the bustle of the indicate, but he does shine in “Jerry Lewis Live On the Champs-Elysees”

Overall, the production values are at their best here. The makeup, costumes, sets and camera work are grand improved in this cycle.

The DVDs have the same grand navigation as Vol. 2, with titles to the shows, and chapter stops on the sketches. I even found an easter egg on disc 3, which is the first I’ve found on any of the volumes (quiet home movies from backstage at Edmonton.)

Two fresh commentaries: one from Joe Flaherty with Paul Flaherty and Dick Blasucci (not very keen, although they remark that Eugene Levy is a billionaire after making “Unique York Tiny” with the Olsen Twins) . Another from writers Dick Blasucci and Mike Short (more informative and less rambling than the other one.)

The bonus features

* SCTV -The Producers. Not as curious nor as informative as I would have imagined.

* That’s Life w/ John Candy - a “PM Magazine”-type segment, showing John Candy at home. Short and sweet.

* SCTV Remembers, Pt 3 - Catherine O’Hara and Martin Short are very involving in this 20 miniature segment.

* John Candy photo gallery - nice photos from the sets taken by his wife.

* SCTV at the Museum of TV & Radio - very nice segment. I wish it was longer than an hour. Rick Moranis was among the cast members at this event, and it is the first “extra” on any of the volumes to include is recollections.

* The booklet includes a nice microscopic intro by Jennifer Candy (John’s daughter) and the script to the Jerry Lewis sketch.

If you have the first two volumes, you won’t be disappointed with Vol. 3. Obedient stuff.

(note: I have one beef with Vol. 3. The packaging is different: Vol. 3’s DVDs overlap to establish station….This makes the width of the box station about 1/16th of an trip narrower than the other two, which is nice - but the overlapping DVDs are a harm. - You need to bewitch Disc 2 to win to Disc 1.)

After decades in upright limbo, the classic SCTV episodes are finally available to the public on an ever-growing assortment of DVD box sets. This third volume documents the various changes that occurred over a crucial ten-month period in 1982. The most distinct change was the arrival of Martin Short, which coincided with the departure of Rick Moranis, Dave Thomas and Catherine O’Hara. A less noticable change was the unhurried disappearance of the laugh tracks; this was a subtle indication that the cast was becoming more attentive to style and craft.

During a ten-month period in 1982, only nine new episodes were aired, and that’s a lot of reruns. The writers were simply not prolific enough to satisfy the inquire of for more high-quality material. In addition, the cast now seemed reluctant to indulge in physical humor, preferring the tranquil character-driven comedy that was Second City’s trademark. The only time you saw an energetic performance was when they were making fun of energetic performers, such as Eugene Levy’s manic impression of Borscht Belt funny Jack Carter, Martin Short’s brutal seize on Jerry Lewis, or Andrea Martin’s blaring imitation of Ethel Merman’s singing yell.

The bonus features in this box place include a CD of live sketches and songs from the Second City archives (now the property of Sony) with narration from Second City alum Robert Klein. The sound quality varies from track to track, but it’s mild tantalizing listening for comedy historians. Fans may be surprised to learn that Martin Short and Catherine O’Hara only worked together in a handful of episodes; this box state includes a hilarious fresh interview where the two crack each other up with impromptu impressions.

The last episode in this box place features Rick Moranis’ swan song for SCTV; his “Soapy Maxwell” fragment ends with him walking off the location after an awkward finish because the scene has no ending. Dave Thomas as Bill Needle exits sentimentally, Jimmy Durante-style, after announcing his retirement from TV. Catherine O’Hara would return for guest appearances along with Thomas, but she chose not to produce a tall farewell in this final episode. Her performance in “Esteem Slaves Of The Southwest” is a involving character survey.

Technical note: three major edits have been made because of publishing rights issues. A John Belushi farewell tribute has been deleted from the “Tremendous White Palace” episode, Rick Moranis’ polka version of “Stairway To Heaven” has been awkwardly edited from the “Blissful Wanderers” section, and Bill Murray’s scene from “Days Of The Week” no longer uses “Mrs. Robinson” as its theme. Despite these deletions, I’m collected recommending this box plot as high-class entertainment - unprejudiced don’t throw out your feeble videotape copies yet.
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Stream Made in U.S.A. Online

glenngolden1974 — Wed, 03 Mar 2010 12:21:00 +0000

Stream Made in U.S.A. Online.

Product: Made in U.S.A.
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There is no questioning the power of Godard. His cinematic talent reaches remarkable farther than my mind could even commence to speed, and upon watching some of his lesser known films these days - his sheer imagination was something that is decidedly missed in today’s film experience. Watching “Pierrot Le Fou”, the shiny color, the uncontrollable ability to combine any genre into one frame, and the dedication of his actors was demonstrated. A less-fan of his “Breathless” film and more into his experimental work, “Fou” was suitable up my alley - yet, watching “Made in USA”, I was completely flabbergasted. This film was confusing, intelligent, radiant, philosophical, brutal, and a prick of what America was producing at the time, while all the while being completely Godard. Destined never to be a approved among purists, “Made in USA” requires more than one viewing and an accompanying owner’s manual to navigate, but the final destination is worth all the work. Using Anna Karina as our guide, this spy-thriller (if I could say that) takes off with a ample step and never looks assist.

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Do not view this movie gradual at night or while doing anything that will cause you to study away from the cover. Every moment in this film is considerable, every word that Godard has our actors screech - while at times confusing and conception provoking - is needed to negate this dis-narrative yarn. Godard is a master late the camera for this film - giving us an early ogle as to what was in store with “Pierrot Le Fou”, his valorous color and well read characters (each one is always holding a book - Bravo!), are unprejudiced the crust. What made “Made in USA” stand out was the definite connections to Walt Disney, the “Expansive Sleep”, and nearly everything coming out of the 60s in America, but what makes Godard impressive, is that one needs to search to look it. He doesn’t spoon feed you a sage that makes your heart gush at the demolish, Godard creates spellbinding cinema that will not be enjoyed by all, but if developed - if watched over time - if studied, remains well-known even 43 years later.

“Made in USA” is another Criterion release that looks and sounds perfectly, but - even with my discussion on how immense Godard’s work is - isn’t the greatest release from the master. Yep, I am a Godard fan, but I am picky. I didn’t appreciate “Breathless”, but “Pierrot Le Fou” I occupy very highly - and this - well, “Made in USA” is brilliant, but perhaps a bit too pretentious. The notion late this film is solid, but it is the execution that had me nervous. Godard is eloquent in introducing us to clear characters and elements, but gives them names of his favorites like McNamara and Nixon that unbiased feels weighted by symbolism and inside jokes. The viewing took plot over the course of three days, not due to the diminishing subject, but because a rewind was needed to ensure that parts didn’t go missing or lost. Crafting one share puzzle, one piece social commentary, one portion comedy is difficult - and for the beginning film watcher - this probably isn’t the best film to first experience Godard. Here is what I liked - I loved not gleaming. What was exhilarating about this feature was the unknown. The confusing dialogue, the menacing tape impart, the constant barrage of planes flying overhead (if that IS what that noise was), and the possible hope of shiny Richard’s last name - keeps one wanting to attain, but getting there is a battle. The dialogue is either a appreciate or disapprove moment. As there is no linear account, from the spoken perspective, and it is easy to earn lost in Godard’s cluttered words. For myself, it was at times refreshing - and at other times a difficulty. Without a linear epic, it was difficult to understand how one character fit within the draw of events. What was happening between Paula and Mr. Typhus? Fair thinking about it gives me a headache.

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The scenes that stood out in this film were the bartender moments (where you could call him Paul or Bartender, but not “sir”), the pinball machine in the garage, and the billboard store room characters. These made me chuckle and spy the humor that Godard was demonstrating, but the others unbiased felt sunless and disjointed. Again, I would like to place that every scene was indispensable, but were they tremendous? The imagery was spectacular - giving us the color palette that he would later expend in “Pierrot Le Fou” - and the cinematography followed suit. For me, it was unprejudiced the language the bogged me down. I wanted to know these characters further, I wanted to further know the tale of the skulled man, and who was double crossing who. “Made in USA” is an well-known film, I am ecstatic to scrutinize it within the Criterion catalogue, but it is an advanced film. The average film watcher will not like this movie, even I felt lost sometimes - but I am so very pleased that I watched it.

In another review, this film was quoted as a “B-side” to the Godard cannon, and I couldn’t agree more. Could I peruse this movie again? Absolutely, but not correct away. I peruse forward to re-exploring this fragment of cinema, notion what I missed, and seeing the inside moments that may have slipped by me the first time. “Made in America” isn’t perfect, and I don’t know anyone that can occupy a ten minutes of a tape playing discussing politics, but this self-proclaimed “B-side” finally has a release it deserves.

Grade: *** 1/2 out of *****

This review is for the Criterion Collection DVD edition of the film.

Made in U.S.A, directed by Jean-luc Goddard is about a French writer who goes to meet her lover, bud discovers that he is humdrum and attemps to investigate her death.

Many of the film’s characters have the same names as true life eminent people.

I found the film hard to follow because of its editing style but liked how it was made.

The supplements include interviews with actors Anna Karina and Lászlo Szábó, a video essay about the film, a fraction about the political elements in the film and its companion part, “2 or 3 Things I Know About Her.” Also included are the film’s novel theatrical trailer and it’s rerelease trailer.
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Streaming Coffy Online

glenngolden1974 — Tue, 02 Mar 2010 03:36:07 +0000

Streaming Coffy Online.

Movie Title: Coffy
Average customer review:

Coffy is available for streaming or downloading.

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After her younger sister dies (offscreen) of a drug overdose, surgical nurse and one-woman vigilante army Pam Grier sets out to punish those she believes responsible for her sister’s addiction. Masquerading as a for-hire call girl, Coffy infiltrates the supposed hierarchy of the city’s dope and sex trade in what starts as vengeance for her sister but turns into a crusade to rid the city of all its filth, murdering all along the procedure, from a small-time pimp and drug dealer (who gets his head blown off shortly after the opening credits) to her congressman lover, who turns out to have a fragment of the action as well and is as horrible as the rest of the bunch. Despite the sober description, this is not an “principal” film per se; actually, it’s ravishing trashy, but animated when trying to ask who this movie is made for. I guess we’re supposed to root for Coffy as she goes on her destroy spree, but, as her “valid cop” friend (who naturally is murdered before the slay of the first reel) explains to her, the drug pickle is already widespread, and who is ultimately to blame? Factor in also that our heroine is also asked to disrobe a number of times for the camera and act very promiscuously, and that instead of the “dismal heroes” that this genre supposedly provided to the minority audiences, we mostly win pimps, dealers, addicts, chauffeurs … At the ruin, we gape Coffy, having recently snuffed out her boyfriend and dejectedly thrown her staunch shotgun on the floor in front of him, walking down a beach alone, almost clear to be picked up by the cops eventually (though the closing credits song proclaim Coffy as “a sparkling symbol of dark pride”) …Very cynical filmmaking and confusing stuff–the general message seems to be “everything and everyone around you is polluted–you can try to fight the system, but ultimately, you’ll lose.” How’s that for uplifting the hurry? Strangely enough, I like this movie for all of its negatives and excesses, and it is an emblem of a time when “blaxploitation” producers and filmmakers were trying to tap into something different, however misguided; reflects a lot of backlash from the supposedly idealistic 60s. Wonderful amounts of violence and gobs of gratuitous nudity in this one. A HEAVILY edited version of this was recently shown on TV with Ruby Dee and Ossie Davis, who awkwardly tried to promote this stuff as quality Murky Heritage cinema. Add some sleaze to your life and rent this one.

All of Pam Grier movies in the 70s, “Coffy” is the most celebrated. She deserves it; leer this movie, and you seek what so-called blaxploitation films are all about.

The fast-paced “Coffy” starts with a dynamite opening, in which Pam’s character Coffy lures her enemy into a nefarious surprise, and she blows away bad fool’s head with a shotgun literally. Then, her mission of eradicating drug racket goes on until a very bitter ending. There are actions, fighting, nudity, and battling girls at a party where Pam uses most unexpected weapon — salad! Frankly they spy rather bland by today’s standard, but satisfactory soundtrack by Roy Ayres is smooth astounding.

Probably the most keen thing about “Coffy” is its sparkling 70s fashion: music, clothes, and hairstyle. even if you salvage its fable a runt primitive, you never come by tired of watching dresses, glasses, hats, and everything — they are so grand! And surprising thing is that the film to determined extent reflects the political condition of those days (gawk how a dark congressman address a speech about drug issues among Afro-Americans) .

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“Coffy” is one of the movies that state the style of the 70s. Those who are enthusiastic in that period should peruse it (and the unique “Shaft”) once.
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