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This movie has never been released in ANY format so this is a cause for celebration for this highly sought after flick. Many pleasing reviews have already preceded mine (considering it is not yet available) so I will not rehash the residence but give what I hope will be sharp insights into the making of this resplendent film.
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Susan during her contract with FOX were her most visible superstardom years and it has always struck me a bit unfamiliar exiguous has been released by the studio considering a quarter of their budget was wrapped up in her movies alone. She was the only star at Grauman’s to plot her hands, footprints and signature in cement embedded in gold dust. Hayward’s noted long red tresses were insured for a million dollars and could only be trimmed a half drag. She was allowed to have it lop shoulder length since she bore some resemblence to Jane Froman. She spent hours in the recording booth watching Froman snarl the songs customary on the soundtrack, noting her every gesture and movement which explains why her lip syncing job is one of the best on celluloid. Her lavish wardrobe was not for glamor but character, as Froman was voted consistently one of the top 10 best dressed women of her time. Her justify dance routines took weeks of rehearsal and during one shot, her breast was flashed during a daily run and and had to be reshot. A young Bob Wagner credits his success to Hayward for taking him under her soar. This was his first major film albeit a miniature portion and he had to bellow in one scene while Hayward was singing which he found difficult to carry out. Hayward deliberately had the camers focused on the relieve of her head during the scene as she prompted him to tears. In the 70’s he remarked on THE TONIGHT Reveal what a substantial befriend she was to a young struggling actor. Susan was not one for making friends with her peers; however, the ascerbic Thelma Ritter as her nurse and companion became life-long friends. Ritter who was also nominated for an oscar should have won. She was overlooked by the Academy 6 times and never received an award of any type. Dreadful judgement indeed.
Susan made many top money making films for Fox and was always voted one of the top 10 most favorite movies during her tenure with FOX yet few have been released and this is her only Oscar nod during her contract with the company. She was cast in colossal budget movies and given spellbinding scenes to appeal to her creative talents and despite the overblown budgets, she always managed to bring a cessation intimacy to the moviegoing public. The next year after SONG she was given her best and most overlooked role as the maligned Rachel Jackeson in THE PRESIDENT’S LADY co-starring a fairly junior Charleton Heston. He was one of her better male leads as their chemistry on conceal crackled with electricity.
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This colossal scale musical was the biggest moneymaker in it’s category for 1952 and she was voted the “Most Accepted Female Star of 1952″ and won a Golden Globe award. Here it is…and it’s a long time coming. This one woman explain leans towards sentimentality at times, but Hayward never allows it to become maudlin. Under her cabable hands she has managed to give one of the finest musical performances in film history.
This is a classic movie for everyone in the family to devour. Sit wait on and spy a proper pro at work here. She is that rare combination of beauty and talent that is seldom found in Hollywood.
A one of a kind movie with a one of a kind actress–the expansive Susan Hayward. And it is tragic she died at the age of 56 unbiased as she was returning to movies and having broad success in valuable made for TV movies (at a time when this medium was usually comic fare) .
ABOUT TIME!!!! More FOX, please!!!
I’m jumping the gun; this film won’t be available for another three months, but I honestly felt “With A Song In My Heart” would never be released in any format, this November release being its first. My opinion was that there were so many obstacles created by the myriad of songs and composers old-fashioned throughout the film that being able to one day absorb this film might be an impossibility. I saw this movie in l952 with my grandmother. I was nine years customary. I don’t know that I knew who Susan Hayward was at the time (though I loved movie magazines) and I certainly didn’t know who Jane Froman was. Well, the movie has remained, all of these years later, one of my favorites; I’ve only been able to pick up it on AMC, Turner, or HBO or Showtime from time to time. The film, all of these years later, remains unique and affecting; Susan Hayward’s performance is a classic, the music has become portion of our American heritage, the costumes tranquil stun, and this deeply affecting musical biography will only encourage to reignite interest in Miss Hayward and Miss Froman. I can’t wait to order my copy!
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Glenn Golden